pitch relationships, but also tune timpani and work on their solfege skills as well (movable âDOâ). Do NOT allow student to use bells or other pitched instruments to tune the timpani. Timpani Tuning Exercises - Book 1 | Graduated Studies and Orchestral Excerpts by Bob Tilles , Book. Tune A C D E To avoid awkward crossover situations and to play the passage with a consistent sticking pattern, most timpanists choose to play a double split among the two drums. All percussionists should own their own tuning fork. Once you have completed those exercises, repeat one of them again (perhaps, if the students were more accurate on one than the other, you could choose that one). A tuner should only be used to tune gauges or tuning the heads. This exercise continues to develop your rolling technique and it helps you to develop control so that you can reach a large distance between the drums and play at the dynamic you want instead of having everything sound like triple forte. Muffling Exercise -- Free Hand (Beck) Tuned to A. Muffling Exercise -- Same Hand (Beck) Tuned to A-D . 4. Hereâs the Roll and Control Exercise for Timpani. You will find videos demonstrating fundamental techniques and tools for you to use to develop your ear training and tuning skills. These recordings are mentioned in the forward to the The Friese-Lepak Timpani Method: A Complete Method for Timpani.. Few actual physical analog 78 rpm discs remain extant. Ideal for storing or on-the-move use. exercises, they are to raise their hands when they think the sound is correct, full and what they think of as the ânormalâ sound of the timpani. Dampening Exercises. Muffling Exercise -- Combination (Beck) Tuned to A-D. Muffling Exercise -- Combination (Beck) Tuned to A-D. A project prompted by the American Band College . Timpani Tuning, cont. Tune the 29â drum to A using a tuning fork. (Tenor drummers call these âsweeps.â) This exercise works both the right [â¦] This three-drum timpani exercise utilizes a common situation, in which you must quickly play all three drums. Step 1. Other Exercises and Methods for Timpani Below are a few exercises to help develop rolls and rhythmic articulation. ⢠Chapters include: Tuning, The Legato Stroke, The Staccato Stroke, Sticking Patterns, Rolls, Muffling, Pedaling, Three Drums, and Four Drums. Teach your percussionists intervals through ear-training exercises to use the A as a reference pitch and basis for all 12 notes I like to use intervals. They are intended to demonstrate a standard for intonation, rapid tuning changes and the tonal qualities of the âkettle drumsâ of the period by playing tuning exercises and standard orchestral excerpts. Timpani Key A timpani tuning key is supplied with all timpani models. AV3LU700 2/14 Full Drop Covers Protect your timpani head, kettle and pedal assembly with full drop covers. Keep one handy in your trap case, stick/mallet bag and accessory kit. Regardless of the tuning Exercises, Etudes and Solos for the Timpani (BT-1500, 160 pages) ⢠Contains more than 500 exercises, 100 etudes and 17 solos for two, three and four drums. In addition, try composing exercises that will suit your timpanistʼs needs, coordinate with your keyboard exercises, and *TC 1-19.30 (TC 12-43) DISTRIBUTION RESTRICTION: Approved for public release; distribution is unlimited *This publication supersedes TC 12-43 dated 25 October 2001. This website is designed to train you into a skilled timpanist so you can demolish any timpani part that comes your way. Tuning: learning and exercise. The student will use common solfege syllable relationships to set the pitches. This There are a number of methods used to learn how to tune timpani, i.e., find and set the right pitch on the right drum. Combined with the tuning exercises above, these exercises will provide a solid foundation for the timpanist.